
Every now and then it’s good to wake yourself up. Sometimes a thought provoking book, movie or play is just what is needed. Wake up from what, you ask? From superficiality. From thinking about small things. Yourself. Not looking at the big picture. Not caring about what happens outside your home. Your block. Your neighborhood.
Seven or eight years ago, Aya and I went to see a screening of “My Dinner with Andre” at Lincoln Plaza Cinemas. It was mind-blowing. We talked about it for hours afterwards, comparing it to empty blockbusters of the day such as the new Star Wars movie, the first of the three. I don’t remember much of the actual dialogue, but I remember how captivating it was. The writer, who was also one of the two main actors in the film (in fact, they were really the only two characters) was Wallace Shawn. Previously, I knew him from the Princess Bride; he was the funny looking guy with the lisp who uttered a few memorable lines that were incessantly repeated by one of my closest college friends: “You only think I guessed wrong! That’s what’s so funny! I switched glasses when your back was turned! Ha ha! You fell victim to one of the classic blunders! The most famous is never get involved in a land war in Asia, but only slightly less well-known is this: never go in against a Sicilian when death is on the line!! Ha ha ha ha ha ha ha!! Ha ha ha ha ha ha ha!! Ha ha ha-”
Mr. Shawn also played a recurring character on “The Cosby Show,” an eccentric neighbor of the Huxtables who always injected humor into his brief appearances on the show. More than anything though, Wallace Shawn is a playwright and a stage actor. I’ve always wanted to see one of his plays but never have. Once, five or so years ago, I tried to get tickets to one of his plays, but it sold out quickly and the run was short. With “Aunt Dan and Lemon,” a few years back, I was also late on the TDF discount tickets and couldn’t afford the full price.
I was scanning the TDF list a few weeks ago and saw that his play “The Fever” was available. There were several dates in February and early March. But with the new baby, it didn’t look like we’d be able to go. But when my mom offered to baby sit Ana, I seized the chance and got two tickets for today’s matinee. It was at the Acorn Theatre, a small minimalist space on 9th Avenue and 42nd Street in a Theatre Row complex with a few other small theatres.
In an unusual gesture, the audience was invited to have champagne (actually California sparkling wine) with Mr. Shawn on stage before the show. He does this every performance. There was a crowd of sports-jacketed Upper West Side intellectual types around the playwright and star of this one-man show. Among this group, he is a legendary cult figure, though not well known among the rest of the population, especially outside of Manhattan. Though I’m not much of an autograph hound, I wanted to at least say hello to a writer I greatly admire. I also had Aya snap a photo of us. (See above) He amusedly referred to it as a “celebrity moment.” I guess he doesn’t get this type of request often. While I was waiting for my turn, an older white woman informed him that her son knew him from “The Cosby Show.” Her son was Geoffrey Owens, who played Elvin, the husband of the eldest Huxtable offspring, Sondra, who often got under the skin of Claire with his sometimes chauvinist remarks.
The play started with a hilarious introduction about the theater and how people are usually treated (not too well in his view) and how this was, well, different. No pre-recorded announcements about turning your cellular phone off, no unfriendly ushers, and free champagne.
Things then immediately got dark. Literally and figuratively. In character, as a bourgeois urbanite, Mr. Shawn launched into a 90 minute monologue steeped with irony about the ills of the world. About people with comfortable lives and the others with far from comfortable ones. He mainly focused on the third world poor, those who couldn’t hope to climb up the economic and social ladder and even those who endured torture and murder at the hands of the powerful. Then there were people like he and his friends who had money and didn’t necessarily want to help those who didn’t. Fever was a metaphor for a guilty man’s soul in search of answers. In the end, it made me contemplate my own life and what I was doing to help or hurt the desperate souls of the world. It left me guilty but also reminded me how much I can do to help people, especially in the Philippines. I hope I don’t forget about this message. Like I said we all need a reminder from time to time.
And by the way, it really felt great to get out without the baby. We need to do this at least once a month. Must find a babysitter pronto.