The Pre-Show
Two nights ago, the weathermen were calling for thunderstorms and of course more humidity. Being a Monday, I was exhausted as usual, not recovered from a busy weekend. Nevertheless, without a ticket a decided to make the nearly one hour trek on the F train to Prospect Park desperately hoping that I’d be able to score a ticket to the sold out Manu Chao show without compromising my tight-assed budget.
You may recall previous posts on this subject which ranged from jubilation (July 16) to heatbreak (July 26). Heading down, I was pretty confident I would get a ticket and I didn’t expect to pay much more than the $25 face value. It’s usually easier to find one ticket because most people need more than one. As soon as I got to the western entrance of the park, I realized I had underestimated Manu Chao’s popularity. There were probably a good 30 (maybe 50) other people standing in the same spot as me trying to buy tickets, and unfortunately there seemed to be very few sellers. I saw people holding their fingers up showing the number of tickets they needed so I too held up a solitary finger above my head hoping I’d be the first person a scalper would see.
After 20 minutes, no one approached me except for a reporter. He introduced himself as Ken someone from the New York Observer-the pinkish paper he said. Yeah, I know it. He interviewed me about my quest for tickets and at the same time informed me that it might cost me if I want to get in. Tickets had sold for up to $175 on craig’s list. Shit. I only had about $40 and was hoping to use some of it for dinner before the show. I didn’t feel too hopeful at that point. With all the other buyers, I’d surely be outbid for any available tickets. A woman near me was on her cell phone. It sounded like the person she was talking to would not be coming so she’d have a ticket to sell. The moment she hung up, I pounced. “How much?” One hundred freaking dollars. No thanks. I saw a couple of attractive Latina girls purchase tickets. One of them told me she paid $80. That’s ridiculous. Ken the reporter was telling me that there was a bit of a brouhaha over scalping tickets to this concert because of Manu’s anti-capitalist sensibilities. People on craig’s list were saying no one should make a profit. I never thought about that angle, but it sounded good to me, especially if the seller felt that way. I talked to Ken for a few minutes, told him my sob story about not wanting to pay the Ticketmaster $8 markup then waiting to long to try the surcharge free box office route. He wished me luck and told me to check Wednesday for the article that I may or may not be in. (Sure enough, the article ran today but I didn’t make the cut.)
After about 30 minutes of my seemingly futile pursuit of a coveted ticket, I was already starting to think about giving up. I had another half hour in me maybe. People were approaching me asking if I had tickets to sell. There was a serious glut of buyers and few sellers, thus the jacked up prices. Then I saw this burly white guy who appeared to score a ticket. Earlier I talked to him and he said he was looking for two. He bought them for $40 on the other side of the monument. Brilliant! All of us are congregating on this side of the monument, but no one is over there. So I decided to give it a shot. After about two minutes, I saw a group of people walking in with a bunch of tickets in their hands. Perhaps, they had extras. I approached a blond woman in a black shirt. “Do you have any extra tickets?” “Actually, I do. My friend just bailed on me.” “How much do you want for it?” “Face value.” Holy shit! “You’re so cool!” “No problem. Thanks for making it so easy on me,” she said.
That’s it. I was in. And for only $24, while some poor suckers paid $80 because they couldn’t wait for a better deal. Now I had some time to kill before the show. My only concern was that I’d get mugged for my ticket. I had to guard it close until I was in.
The Show
I went to get some pizza and came in just as the first song was playing. The crowd was already going nuts. They seemed to be largely Latino (the segment of the population that wears Che shirts and regularly attends protests) and also probably European with a sprinkling of Caucasian hipsters. One of them had a Ho Chi Min shirt and I don’t think it was meant ironically. Don’t think I’ve seen that one before.
The smell of marijuana wafted gently over the crowd seemingly making everyone happy, sheltering us from the real world like a hazy tent. Perhaps, I was the only one who was only getting it second-hand. The stoned seemed to be having such a good time I was tempted to ask someone for a hit, but I didn’t. Maybe next time I should. The marijuana culture is certainly a theme of Manu’s music including the classic song “Clandestino,” with the refrain “Marijuana-Illegal” and “Welcome to Tijuana-Tequila, Sexo, Marijuana.”
The six-piece band, dressed mostly in athletic gear such as striped jogging pants (except for Manu), featuring two guitarists, a bassist, two percussionists and a keyboard player, had a great and seemingly endless supply of energy, as did the crowd. I couldn’t help but dance along with everyone else almost immediately. It was like the band had us under a trance. They played a lot of my favorites, some that I didn’t know and left out a few that I would have liked to hear. Manu’s voice sounded exactly like he does in his recordings. Unfortunately, many of the songs were played much differently live. Many were speeded up and some were shortened. There was an overabundance of ambient police sirens during the songs.
Even though I was by myself, I thoroughly enjoyed it. It would have certainly been better if I could have shared this with Aya or others, but no one wanted to go. Their loss. I can’t let that stop me from going to see someone I wouldn’t want to miss any time I have a chance to see him.
Being a sold out show, the place was packed. I started at the very back, but being a veteran concertgoer, I managed to inch my way up front so that I was within the first ten rows from the stage by the end. Which was important for me, since I couldn’t see too well from the back.
Most of Manu’s lyrics were in Spanish, but because I’ve heard some of them many, many times I was still able to sing along at least to the choruses. I did not get much of his between song commentary since it was mostly in Spanish. Another reason to relearn Spanish. How can you cheer if you don’t know what someone is saying? Well, the general gist of it was leftist rhetoric about Cuba, the Zapatistas, Bush, etc. Much of it I agree with but certainly not all.
The music lasted about two hours included several encores. I thought the encores were a bit rock-starish for someone like Manu, but I was happy to get more music. They finally left the stage for good to cheers of “Allay, Allay, Allay Manu.” I was completely sweaty, needed another shower but I didn’t care.
The subway ride home was the final highlight of the evening. Until we reached lower Manhattan, the car I was in was filled with concertgoers who were either stoned or drunk or most likely, both. A group of young Latino men were swigging capfuls of Johnnie Walker Black on the platform waiting for the train. These guys were loudly singing lyrics on the train. When I got off the train in Jackson Heights, one of that group, who was obviously trashed when I saw him back in Brooklyn, was passed out on the floor of the train. Out cold. His friends-some friends-left him by himself completely blitzed on the subway. God knows where he woke up. No doubt his wallet was stolen. No one seemed to try to wake him up; instead, they just stepped around him to sit down.
Bottom line: It was well worth the trouble and stress of getting a ticket, the hour subway ride each way and the risk of going there and not getting a ticket. If Manu Chao comes again, I’m there. No hesitation.